Although it might get a little convoluted within the order of the Taylor Swift album releases with the inception of Taylor’s Versions, the re-releases have more or less signified a powerhouse artist taking back her early musical heritage on her power. Also, after really making waves in the country-pop music world back in 2006 with her self-titled first album, Swift rose to take her rightful place as one of the biggest stars in the world. Thus, every one of her releases would be a huge success. Moreover, known for her energetic lyrics and candid way of narration, Swift became a new kind of pop diva of the 21st century whose success cannot be attributed to anything but her boundless talent.
Of course, the music industry hasn’t been very fair to artists in the past. Swift’s public spat with her first label, Big Machine Records, reached new heights when music manager Scooter Braun bought out her full catalog in 2019, according to The New York Times. Now that she’s signed to Republic Records, Taylor Swift has been working hard to re-recording all of her remaining albums, which were put out through Big Machine, in the ambitious effort of reclamation and creation. Known colloquially as Taylor’s Versions, these re-recorded and re-released full-length records have granted Swift full ownership of earlier work.
Every Taylor Swift Album In Original Release Order
Album Title | Release Year |
---|---|
Taylor Swift | 2006 |
Fearless | 2008 |
Speak Now | 2010 |
Red | 2012 |
1989 | 2014 |
Reputation | 2017 |
Lover | 2019 |
Folklore | 2020 |
Evermore | 2020 |
Fearless (Taylor’s Version) | 2021 |
Red (Taylor’s Version) | 2021 |
Midnights | 2022 |
Speak Now (Taylor’s Version | 2023 |
1989 (Taylor’s Version | 2023 |
The Tortured Poets Department | 2024 |
Taylor Swift (2006)
October 24, (2006)
Swift’s debut album dropped when she was a teenager, and it illustrated her early country music influences in a way that would make it nearly unrecognizable to her modern hits. First, both “Teardrops on My Guitar” and “Tim McGraw” were two very significant singles that served to popularize the new genre of country pop. Second, the album continued well into 2008 to pump out singles. In addition, Swift herself was nominated for a Grammy for Best New Artist in 2008. Also, Taylor Swift has spent 157 weeks on the Billboard 200.
This collection was principally written in 2005. More specifically, it was that very year when Quick marked an agreement with a free record name, Enormous Machine Records. She had previously had a development deal with RCA, but they wanted to keep her on a development deal until she was 18, which would have meant she was writing songs for the label without actually getting to record her album. Under the deal with Big Machine Records, Swift was promised to get to record what she wrote.
Even though she originally wrote 40 songs for her debut album, 11 ended up on the standard edition of the record released, mostly co-wrote with Liz Rose, who helped Swift hone her songwriting skills. Five of the songs were released as singles: “Tim McGraw,” “Our Song,” “Teardrops On My Guitar,” “Picture To Burn,” and “Should’ve Said No.”
Since its release, the album has now been certified platinum – seven times.
Taylor Swift Track List
# | Song Title | Writer(s) | Length | Edition |
---|---|---|---|---|
1 | “Tim McGraw” | Taylor Swift & Liz Rose | 3:54 | Standard |
2 | “Picture to Burn” | T, Swift & Liz Rose | 2:55 | |
3 | “Teardrops on My Guitar” | T, Swift & Liz Rose | 3:35 | |
4 | “A Place in This World” | T, Swift, Robert Ellis Orrall, & Angelo Petraglia | 3:22 | |
5 | “Cold as You” | Taylor Swift & Liz Rose | 4:01 | |
6 | “The Outside” | T, Swift | 3:29 | |
7 | “Tied Together with a Smile” | Taylor Swift & Liz Rose | 4:11 | |
8 | “Stay Beautiful” | Taylor Swift & Liz Rose | 3:58 | |
9 | “Should’ve Said No” | T, Swift | 4:04 | |
10 | “Mary’s Song (Oh My My My)” | T, Swift, Liz Rose, & Brian Maher | 3:35 | |
11 | “Our Song” | T, Swift | 3:24 | |
12 | “I’m Only Me When I’m with You” | T, Swift, Robert Ellis Orrall, & Angelo Petraglia | 3:35 | Deluxe |
13 | “Invisible” | T, Swift | 3:26 | |
14 | “A Perfectly Good Heart” | T, Swift, Brett James, & Troy Verges | 3:42 | |
15 | “Teardrops on My Guitar” (Pop Version) | T, Swift | 2:58 | International |
Fearless 2008, Taylor Swift
November 11, 2008
Swift snagged Album of the Year at the Grammy Awards along with Best Country Album and firmly established herself as the newest thing in music.
Even as her debut album was still riding high, Taylor released her second album in 2008. Fearless still showed signs of Swift’s country roots, but songs like “You Belong With Me” not only incorporated more pop but also set the tone for her love gone wrong theme that still peppers her biggest hits today. She then became the youngest artist ever to have captured the Album of the Year award at the Grammys, among others, such as Best Country Album, firmly establishing her as the newest thing in music.
Swift wrote the majority of Fearless while on tour as an opening act for different country artists. She wrote over 70 songs during this time, but only a fraction of them made the album. In an interview with Billboard during the release time, some of the tracks were primarily written for her first album. Moreover, they were included in the sophomore album for the sake of continuity and expression of artistry. Again, five singles were chosen for release while the album was being promoted, and they allowed Swift to cross over into more pop territory.
“You Belong With Me” and “Love Story” both set records (at the time) for radio plays on country and pop stations. Since its release, Fearless has been certified Diamond in the US, meaning it’s sold over 10 million copies. This album also marked Swift’s first foray into producing as she became a co-producer for the record.
Fearless Tracklist
# | Song Title | Writer(s) | Length | Edition |
---|---|---|---|---|
1 | “Fearless” | Taylor Swift, Liz Rose, & Hillary Lindsey | 4:01 | Standard |
2 | “Fifteen” | Swift | 4:54 | |
3 | “Love Story” | Swift | 3:55 | |
4 | “Hey Stephen” | Swift | 4:14 | |
5 | “White Horse” | Swift & Liz Rose | 3:54 | |
6 | “You Belong with Me” | Taylor & Liz Rose | 3:51 | |
7 | “Breathe” (featuring Colbie Caillat) | Taylor & Colbie Caillat | 4:23 | |
8 | “Tell Me Why” | Taylor & Liz Rose | 3:20 | |
9 | “You’re Not Sorry” | Taylor Swift | 4:21 | |
10 | “The Way I Loved You” | Taylor Swift & John Rich | 4:03 | |
11 | “Forever & Always” | Swift | 3:45 | |
12 | “The Best Day” | Swift | 4:05 | |
13 | “Change” | Swift | 4:40 | |
14 | “Jump Then Fall” | T, Swift | 3:56 | Platinum |
15 | “Untouchable” | Cary Barlowe, Nathan Barlowe, Tommy Lee James, & Taylor Swift | 5:11 | |
16 | “Forever & Always” (Piano Version) | T, Swift | 4:27 | |
17 | “Come In with the Rain” | T, Swift & Liz Rose | 3:58 | |
18 | “SuperStar” | T, Swift & Liz Rose | 4:21 | |
19 | “The Other Side of the Door” | T, Swift | 3:57 |
Speak Now 2010, Taylor Swift
October 25, 2010
As she was in full bloom as a mature artist, Swift’s third studio album, Speak Now, was consequently more mature for the singer/songwriter. Moreover, Speak Now was Swift’s first entirely self-written album except for the bonus track “If This Was a Movie” on the deluxe edition. Though questions of her country music authenticity had persisted since her debut, singles like “Back to December” led mainstream critics to declare that Swift had moved in an almost entirely pop-rock direction (via Los Angeles Times).
Over two years while promoting Fearless, Swift wrote the tracks that would end up on Speak Now. The whole collection, first and foremost, is outlined as a confession booth of sorts. In particular, with each track being something she wanted to have said. Moreover, Quick co-delivered the collection once more. Between writing and producing, she had gained more creative control of her work than she would have had if she had stayed under the original development deal with RCA, which allowed her to mature as an artist.
This time around, the album had six singles to promote it. Both “Back to December” and “Mine” hit the Billboard Hot 100 while “Ours” and “Sparks Fly” landed on the country charts. Right off the bat, proceeding with her amazing collection deals, Speak Now took off the racks. Subsequently, by 2020, it was affirmed multiple times platinum through RIAA.
Speak Now Tracklist
# | Song Title | Writer(s) | Length | Edition |
---|---|---|---|---|
1 | “Mine” | Swift | 3:50 | Standard |
2 | “Sparks Fly” | Swift | 4:20 | |
3 | “Back to December” | Swift | 4:53 | |
4 | “Speak Now” | Swift | 4:00 | |
5 | “Dear John” | Swift | 6:43 | |
6 | “Mean” | Swift | 3:57 | |
7 | “The Story of Us” | Swift | 4:25 | |
8 | “Never Grow Up” | Swift | 4:50 | |
9 | “Enchanted” | Swift | 5:53 | |
10 | “Better than Revenge” | Swift | 3:37 | |
11 | “Innocent” | Swift | 5:02 | |
12 | “Haunted” | Swift | 4:02 | |
13 | “Last Kiss” | Swift | 6:07 | |
14 | “Long Live” | Swift | 5:17 | |
15 | “Ours” | Swift | 3:58 | Deluxe |
16 | “If This Was a Movie” | T, Swift & Martin Johnson | 3:54 | |
17 | “Superman” | Swift | 4:36 | |
18 | “Back to December” (Acoustic) | Swift | 4:52 | |
19 | “Haunted” (Acoustic) | Swift | 3:37 | |
20 | “Mine” (Pop mix) | Swift | 3:50 |
Red 2012, Taylor Swift
October 22, 2012
Even Though many tried to make Swift’s country pop image stick, 2012’s Red represented the singer/songwriter’s final push towards mainstream radio pop. Generally considered one of Taylor Swift’s more naughty albums, she broadened her horizons in the songwriting process and stripped away the cutesy naïveté that dominated her first three records. Boisterous anthems like “I Knew You Were Trouble,” “22,” and “We Are Never Ever Getting Back Together” completely transformed her sound.
Red marks Swift’s first breakup album. Even though there are songs about other concepts, like “22,” on the record, much of the album is themed around lost love. The album played with even more genres than country and pop, which left critics on the fence about what kind of artist Swift was becoming, but it was a hit with fans who loved to see her exploring more sides of her musical personality.
Seven singles were used to promote the album, including a collaboration with Ed Sheeran, “Everything Has Changed.” Swift earned an Album of the Year nomination at the Grammy Awards, and Red managed to crack seven times platinum (via RIAA) before her earlier albums
Red Tracklist 2012
# | Song Title | Writer(s) | Length | Edition |
---|---|---|---|---|
1 | “State of Grace” | Swift | 4:55 | Standard |
2 | “Red” | Swift | 3:43 | |
3 | “Treacherous” | T, Swift & Dan Wilson | 4:02 | |
4 | “I Knew You Were Trouble” | T, Swift, Max Martin, & Shellback | 3:39 | |
5 | “All Too Well” | T, Swift & Liz Rose | 5:29 | |
6 | “22” | T, Swift, Max Martin, & Shellback | 3:52 | |
7 | “I Almost Do” | Taylor Swift | 4:04 | |
8 | “We Are Never Ever Getting Back Together” | Taylor Swift, Max Martin, & Shellback | 3:13 | |
9 | “Stay Stay Stay” | Swift | 3:25 | |
10 | “The Last Time” (featuring Gary Lightbody of Snow Patrol) | T, Swift, Gary Lightbody, & Jacknife Lee | 4:59 | |
11 | “Holy Ground” | Swift | 3:22 | |
12 | “Sad Beautiful Tragic” | Swift | 4:44 | |
13 | “The Lucky One” | Swift | 4:00 | |
14 | “Everything Has Changed” (featuring Ed Sheeran) | T, Swift & Ed Sheeran | 4:05 | |
15 | “Starlight” | Swift | 3:40 | |
16 | “Begin Again” | Swift | 3:57 | |
17 | “The Moment I Knew” | Swift | 4:46 | Deluxe |
18 | “Come Back… Be Here” | Taylor Swift & Dan Wilson | 3:43 | |
19 | “Girl at Home” | Swift | 3:40 | |
20 | “Treacherous” (Original Demo Recording) | Taylor Swift & Dan Wilson | 4:00 | |
21 | “Red” (Original Demo Recording) | Swift | 3:47 | |
22 | “State of Grace” (Acoustic Version) | Swift | 5:23 |
1989 (2014), Taylor Swift
October 27, 2014
Accordingly, pop anthems like “Shake It Off” and “Bad Blood” were certified radio juggernauts with no hint of the twang that accompanied Swift on her first few albums. By 1989, Swift’s personal life began dominating the discourse regarding her music. Thus, her distinct songwriting style fueled the flames of celebrity gossip.
Initially, Swift saw pushback from Big Machine Records about making a pop album. Scott Borchetta had tried to get her to incorporate a fiddle onto some of the tracks to retain some of the country sounds of her previous efforts, but Swift declined (via Billboard). That was a smart decision as she’s found an even bigger audience and more longevity in the world of pop music.
Despite winning Album of the Year, 1989 divided critics, with some criticizing her overt attempts to be commercial (via Slant). Regardless, Swift had finally come into her own as the new Queen of Pop. Originally, the album was nine times platinum. Moreover, it was also awarded the best pop vocal album at the Grammies.
1989 Tracklist
# | Song Title | Writer(s) | Length | Edition |
---|---|---|---|---|
1 | “Welcome to New York” | T, Swift & Ryan Tedder | 3:32 | Standard |
2 | “Blank Space” | T, Swift, Max Martin, & Shellback | 3:51 | |
3 | “Style” | T, Swift, Max Martin, Shellback, & Ali Payami | 3:51 | |
4 | “Out of the Woods” | T, Swift & Jack Antonoff | 3:55 | |
5 | “All You Had to Do Was Stay” | T, Swift & Max Martin | 3:13 | |
6 | “Shake It Off” | T, Swift, Max Martin, & Shellback | 3:39 | |
7 | “I Wish You Would” | Swift & Jack Antonoff | 3:27 | |
8 | “Bad Blood” | Swift, Max Martin, & Shellback | 3:31 | |
9 | “Wildest Dreams” | Taylor Swift, Max Martin, & Shellback | 3:40 | |
10 | “How You Get the Girl” | Taylor Swift, Max Martin, & Shellback | 4:07 | |
11 | “This Love” | T, Swift | 4:10 | |
12 | “I Know Places” | T, Swift & Ryan Tedder | 3:15 | |
13 | “Clean” | Swift & Imogen Heap | 4:30 | |
14 | “Wonderland” | Swift, Max Martin, & Shellback | 4:05 | Deluxe |
15 | “You Are in Love” | Swift & Jack Antonoff | 4:27 | |
16 | “New Romantics” | Swift, Max Martin, & Shellback | 3:50 |
Reputation (2017), Taylor Swift
November 10, 2017
Consequently, following that relatively polarized period by critical standards, 2017’s Reputation did not have any problems bringing in the money and was another release that spawned multiple singles. Following on from the bubblegum synthpop of 1989, Taylor Swift introduced a much darker version of herself across Reputation, one that was doubtless informed by Swift’s highly publicized argument with the Kardashians and Kanye West. Moreover, with the media picking apart every part of her relationships, songs like “Look What You Made Me Do” had added meaning. All in all, Reputation became Swift’s fourth straight album to top the US Billboard 200.
If 1989 solidified Swift as a pop artist, Reputation allowed Swift to make her mark as a global artist.
If 1989 solidified Swift as a pop artist, Reputation allowed Swift to make her mark as a global artist. “Look What You Made Me Do” was a hit around the world much faster than any of her country-pop tracks had been. Swift’s clearing of all of her social media counts and debuting anew with Reputation raised some eyebrows, but it had also been a hint that the world was about to see a very different side of her as an artist.
Swift had spent so much time out of the public eye, trying to avoid rumors about her relationship status and getting backlash for her success, that very little was known about Reputation before it debuted, unlike her other albums. It went on to become three times platinum in the US but was also certified platinum in five other regions around the world.
Reputation Tracklist
# | Song Title | Writer(s) | Length |
1 | “…Ready for It?” | Swift, Max Martin, Shellback, & Ali Payami | 3:28 |
2 | “End Game” (featuring Ed Sheeran and Future) | Taylor Swift, Max Martin, Shellback, Ed Sheeran, & Nayvadius Wilburn (Future) | 4:04 |
3 | “I Did Something Bad” | T, Swift t & Jack Antonoff | 3:58 |
4 | “Don’t Blame Me” | T, Swift, Max Martin, & Shellback | 3:56 |
5 | “Delicate” | Swift, Max Martin, & Shellback | 3:52 |
6 | “Look What You Made Me Do” | T, Swift, Max Martin, & Shellback | 3:31 |
7 | “So It Goes…” | Swift, Max Martin, Shellback, & Oscar Görres | 3:47 |
8 | “Gorgeous” | T, Swift, Max Martin, & Shellback | 3:29 |
9 | “Getaway Car” | Swift & Jack Antonoff | 3:53 |
10 | “King of My Heart” | T, Swift, Max Martin, & Shellback | 3:34 |
11 | “Dancing with Our Hands Tied” | T, Swift, Max Martin, Shellback, & Oscar Holter | 3:31 |
12 | “Dress” | T, Swift & Jack Antonoff | 3:50 |
13 | “This Is Why We Can’t Have Nice Things” | T, Swift & Jack Antonoff | 3:27 |
14 | “Call It What You Want” | T, Swift & Jack Antonoff | 3:23 |
15 | “New Year’s Day” | T, Swift t & Jack Antonoff | 3:55 |
Lover (2019), Taylor Swift
August 23, 2019
Lover was Swift’s first album following her departure from Big Machine Records, showing off a version of her who could look backward for the first time. Reincorporating earlier influences, Lover took a step back from her rising pop queen status and became a happier and healthier artist in general. Singles like “You Need To Calm Down” poked fun at her critics, but the album was intended to be a more subdued release. While previous albums had clear hip-hop and R&B influences, Lover showed Swift setting her sights on rock and indie.
In reflecting on the album while speaking with Entertainment Weekly, Swift said she was inspired by her fans seeing her as more than just a pop star during her Reputation Stadium Tour. She explained, “This time around I feel more comfortable being brave enough to be vulnerable because my fans are brave enough to be vulnerable with me.”
The album had five singles released between 2019 and 2023. Lover was supposed to get its tour, but the COVID-19 pandemic put that on hold, which might be why “Cruel Summer” was still released as a single four years after the debut of the album. The album still went platinum in multiple regions around the world, selling over 2 million units in the US alone.
Lover Tracklist
# | Song Title | Writer(s) | Length |
1 | “I Forgot That You Existed” | Swift, Louis Bell, & Adam King Feeney | 2:51 |
2 | “Cruel Summer” | Swift, Jack Antonoff, & Annie Clark | 2:58 |
3 | “Lover” | Taylor | 3:41 |
4 | “The Man” | Swift & Joel Little | 3:10 |
5 | “The Archer” | Swift & Jack Antonoff | 3:31 |
6 | “I Think He Knows” | Swift & Jack Antonoff | 2:53 |
7 | “Miss Americana & the Heartbreak Prince” | Swift & Joel Little | 3:54 |
8 | “Paper Rings” | Swift & Jack Antonoff | 3:42 |
9 | “Cornelia Street” | Swift | 4:47 |
10 | “Death by a Thousand Cuts” | Swift & Jack Antonoff | 3:19 |
11 | “London Boy” | Taylor, Jack Antonoff, Cautious Clay, & Mark Anthony Spears | 3:10 |
12 | “Soon You’ll Get Better” (featuring The Chicks) | Swift & Jack Antonoff | 3:22 |
13 | “False God” | Swift & Jack Antonoff | 3:20 |
14 | “You Need to Calm Down” | Swift & Joel Little | 2:51 |
15 | “Afterglow” | Swift, Louis Bell, & Adam King Feeney | 3:43 |
16 | “ME!” (featuring Brendon Urie of Panic! at the Disco) | Swift, Brendon Urie, & Joel Little | 3:13 |
Folklore (2020)
July 24, 2020
Co-produced by indie rock pioneer and guitarist for The National, Aaron Dessner, Folklore (stylized as folklore) was yet another major shift for Taylor Swift as she fell headlong into her indie-folk influences. Released during the COVID-19 pandemic, Swift traded out her love gone wrong themes for a much more heady and introspective look at herself.
While only three singles were released from the album, it still marked an interesting point in Swift’s career.
Soon after, her transformation won over the critics. As such, in this rawer form, music mags like Pitchfork came to be besotted with her. Subsequently, a noteworthy 8.0/10 was handed to Folklore by them. While only three singles were released from the album, it still marked an interesting point in Swift’s career. She recorded The Long Pond Sessions for Disney+ to give fans an inside look at what went into making the album while she was isolated during the pandemic.
She also departed from theming the music around her personal life, crafting narratives about different characters (some named after the children of Blake Lively and Ryan Reynolds) that meant fans didn’t feel as much need to speculate about Swift’s “secret messages” in her music, though there were still plenty of Easter eggs. Folklore won Album of the Year at the Grammy’s, making it Swift’s third win in the category, and making her the first woman in history to do that.
Folklore Tracklist
# | Song Title | Writer(s) | Length | Version |
1 | “the 1” | T, Swift & Aaron Dessner | 3:30 | Standard |
2 | “cardigan” | T, Swift & Aaron Dessner | 3:59 | |
3 | “the last great american dynasty” | T, Swift & Aaron Dessner | 3:51 | |
4 | “exile” featuring Bon Iver | T, Swift, William Bowery (Joe Alwyn), & Justin Vernon | 4:45 | |
5 | “my tears ricochet” | Taylor Swift | 4:15 | |
6 | “mirrorball” | T, Swift & Jack Antonoff | 3:29 | |
7 | “seven” | T, Swift & Aaron Dessner | 3:28 | |
8 | “august” | T, Swift & Jack Antonoff | 4:21 | |
9 | “this is me trying” | T, Swift & Jack Antonoff | 3:15 | |
10 | “illicit affairs” | T, Swift & Jack Antonoff | 3:10 | |
11 | “invisible string” | T, Swift & Aaron Dessner | 4:12 | |
12 | “mad woman” | T, Swift & Aaron Dessner | 3:57 | |
13 | “epiphany” | Swift & Aaron Dessner | 4:49 | |
14 | “betty” | Swift & William Bowery (Joe Alwyn) | 4:54 | |
15 | “peace” | Swift & Aaron Dessner | 3:54 | |
16 | ‘hoax” | Swift & Aaron Dessner | 3:40 | |
17 | “the lakes” | Taylor Swift & Jack Antonoff | 3:31 | Deluxe |
Evermore (2020)
First off, coming right on the heels of her surprise album, Folklore, Swift’s second album in 2020 was, consequently, a continued collaboration with Dessner. The lean and spare Evermore (stylized as Evermore) picked up where she left off both in terms of cinematic storytelling and calling in bigger indie guns to back her up—such as The National on single “Coney Island” and perennials Haim on “No Body, No Crime.” Like Folklore, it was recorded in secrecy.
It’s considered Folklore’s sister album since both albums contain tracks written during the pandemic, and both albums also contain fictional narratives inspired by a lot of the media Swift herself was consuming during isolation. Also like Folklore, the album only had three singles released to promote it. The album debuted at number one and was nominated for Album of the Year at the Grammy Awards.
The album has influences from stories from the early 1900s. “Tolerate It” is inspired by Daphne Du Maurier’s 1938 novel Rebecca, while “Happiness” contains references to F. Scott Fitzgerald’s The Great Gatsby. Interestingly, some of the songs also connect. “Dorothea” and “‘Tis The Damn Season,” for example, tell two points of view of the same story. These links were loved by fans, who made the album platinum in multiple regions around the world.
Evermore (2020)
# | Song Title | Writer(s) | Length | Version |
1 | “willow” | Taylor Swift & Aaron Dessner | 3:34 | Standard |
2 | “champagne problems” | Taylor Swift & William Bowery | 4:04 | |
3 | “gold rush” | Taylor Swift & Jack Antonoff | 3:05 | |
4 | “’tis the damn season” | Taylor Swift & Aaron Dessner | 3:49 | |
5 | “tolerate it” | Taylor Swift & Aaron Dessner | 4:05 | |
6 | “no body, no crime” (featuring HAIM) | Taylor Swift | 3:35 | |
7 | “happiness” | Swift & Aaron Dessner | 5:15 | |
8 | “dorothea” | Swift & Aaron Dessner | 3:45 | |
9 | “coney island” (featuring The National) | Swift, Aaron Dessner, Bryce Dessner, & William Bowery (Joe Alwyn) | 4:35 | |
10 | “ivy” | Swift, Aaron Dessner, & Jack Antonoff | 4:20 | |
11 | “cowboy like me” | Swift & Aaron Dessner | 4:35 | |
12 | “long story short” | Swift & Aaron Dessner | 3:35 | |
13 | “marjorie” | Swift & Aaron Dessner | 4:17 | |
14 | “closure” | Swift & Aaron Dessner | 3:00 | |
15 | “evermore” | Swift, William Bowery, & Justin Vernon | 5:04 | |
16 | “right where you left me” | Swift & Aaron Dessner | 4:05 | Deluxe |
17 | “it’s time to go” | Swift & Aaron Dessner | 4:15 |
Fearless (Taylor’s Version) (2021)
April 9, 2021
In 2021, Fearless (Taylor’s Version) was Taylor Swift’s first foray into re-recording her back catalog, hence taking back artistic control following the fiasco of the 2019 Big Machine catalog sale. Namely, in 2019, Scooter Braun bought Big Machine Records from Scott Borchetta. Swift had already signed with a new label in 2018 and had attempted to buy the master copies of her first six albums, but called the deal offered her “unfavorable.” Swift decided to rerecord new versions of her first six albums.
The album consists of an entire re-recording of the classic songs as well as a handful of vault tracks that were left on the cutting room floor originally. Taylor Swift was allowed to re-record her music, and she has committed herself to not only reclaiming the songs but also cleaning up many of the instrumentations and mixes that were somewhat lackluster upon the album’s initial release.
Fearless (Taylor’s Version) has been certified platinum.
Fearless (Taylor’s Version) Tracklist
# | Song Title | Writer(s) | Length | |
1 | “Fearless (Taylor’s Version)” | Taylor Swift, Liz Rose, & Hillary Lindsey | 4:01 | |
2 | “Fifteen (Taylor’s Version)” | Swift | 4:54 | |
3 | “Love Story (Taylor’s Version)” | Swift | 3:55 | |
4 | “Hey Stephen (Taylor’s Version)” | Swift | 4:14 | |
5 | “White Horse (Taylor’s Version)” | Swift & Liz Rose | 3:54 | |
6 | “You Belong with Me (Taylor’s Version)” | Swift & Liz Rose | 3:51 | |
7 | “Breathe (Taylor’s Version)” (featuring Colbie Caillat) | Swift & Colbie Caillat | 4:23 | |
8 | “Tell Me Why (Taylor’s Version)” | Swift & Liz Rose | 3:20 | |
9 | “You’re Not Sorry (Taylor’s Version)” | Swift | 4:21 | |
10 | “The Way I Loved You (Taylor’s Version)” | Taylor Swift & John Rich | 4:03 | |
11 | “Forever & Always (Taylor’s Version)” | Swift | 3:45 | |
12 | “The Best Day (Taylor’s Version)” | Swift | 4:05 | |
13 | “Change (Taylor’s Version)” | Swift | 4:39 | |
14 | “Jump Then Fall (Taylor’s Version)” | Swift | 3:57 | |
15 | “Untouchable (Taylor’s Version)” | Cary Barlowe, Nathan Barlowe, Tommy Lee James, & Taylor Swift | 5:12 | |
16 | “Forever & Always (Taylor’s Version)” (Piano Version) | Swift | 4:27 | |
17 | “Come In with the Rain (Taylor’s Version)” | Swift & Liz Rose | 3:57 | |
18 | “SuperStar (Taylor’s Version)” | Taylor Swift & Liz Rose | 4:23 | |
19 | “The Other Side of the Door (Taylor’s Version)” | Taylor | 3:58 | |
20 | “Today Was a Fairytale (Taylor’s Version)” | Taylor | 4:01 | |
21 | “You All Over Me (Taylor’s Version) (From The Vault)” (featuring Maren Morris) | Taylor Swift & Scooter Carusoe | 3:40 | |
22 | “Mr. Perfectly Fine (Taylor’s Version) (From The Vault)” | Taylor | 4:37 | |
23 | “We Were Happy (Taylor’s Version) (From The Vault)” | Swift & Liz Rose | 4:04 | |
24 | “That’s When (Taylor’s Version) (From The Vault)” (featuring Keith Urban) | Taylor Swift, Brad Warren, & Brett Warren | 3:09 | |
25 | “Don’t You (Taylor’s Version) (From The Vault)” | Taylor Swift & Tommy Lee James | 3:28 | |
26 | “Bye Bye Baby (Taylor’s Version) (From The Vault)” | Taylor Swift & Liz Rose | 4:02 |
Note: Fearless was the first re-recording to reach number one on the Billboard 200 and served as inspiration for other Taylor’s Versions.
Red (Taylor’s Version) (2021)
November 12, 2021
Leaving nothing off the table, Red (Taylor’s Version) was a complete passion project that showed just how committed Swift was to her brand. Along with re-recording all the songs, charity singles, and additional bonus tracks, Red (Taylor’s Version) also featured guest vocals from artists like Phoebe Bridgers and Chris Stapleton.
Swift also released the 10-minute long version of “All Too Well” which added much-needed context to the hit song. When Swift had initially worked with Liz Rose on the original track, Rose had encouraged Swift to cut the song down to make it more digestible for radio play. It was unlikely that any radio station was going to want to play a 10-minute track.
With the popularity of streaming, however, Swift’s 10-minute version of the song became even more popular. The short film released for it, consequently, featured Sadie Sink as the song’s protagonist. Moreover, Dylan O’Brien portrayed the man who broke her heart. Consequently, this only added interest to the track.
Red (Taylor’s Version) Tracklist
# | Song Title | Writer(s) | Length |
1 | “State of Grace (Taylor’s Version)” | Taylor Swift | 4:55 |
2 | “Red (Taylor’s Version)” | Taylor Swift | 3:43 |
3 | “Treacherous (Taylor’s Version)” | Swift & Dan Wilson | 4:02 |
4 | “I Knew You Were Trouble (Taylor’s Version)” | Swift, Max Martin, & Shellback | 3:39 |
5 | “All Too Well (Taylor’s Version)” | Swift & Liz Rose | 5:29 |
6 | “22 (Taylor’s Version)” | Swift, Max Martin, & Shellback | 3:50 |
7 | “I Almost Do (Taylor’s Version)” | Swift | 4:04 |
8 | “We Are Never Ever Getting Back Together (Taylor’s Version)” | Swift, Max Martin, & Shellback | 3:13 |
9 | “Stay Stay Stay (Taylor’s Version)” | Taylor Swift | 3:25 |
10 | “The Last Time (Taylor’s Version)” (featuring Gary Lightbody of Snow Patrol) | Taylor Swift, Gary Lightbody, & Jacknife Lee | 4:59 |
11 | “Holy Ground (Taylor’s Version)” | Taylor | 3:22 |
12 | “Sad Beautiful Tragic (Taylor’s Version)” | Taylor | 4:44 |
13 | “The Lucky One (Taylor’s Version)” | Taylor | 4:00 |
14 | “Everything Has Changed (Taylor’s Version)” (featuring Ed Sheeran) | Taylor Swift & Ed Sheeran | 4:05 |
15 | “Starlight (Taylor’s Version)” | Taylor | 3:40 |
16 | “Begin Again (Taylor’s Version)” | Taylor | 3:58 |
17 | “The Moment I Knew (Taylor’s Version)” | Taylor \ | 4:45 |
18 | “Come Back… Be Here (Taylor’s Version)” | Taylor Swift & Dan Wilson | 3:43 |
19 | “Girl at Home (Taylor’s Version)” | Swift | 3:40 |
20 | “State of Grace (Acoustic Version) (Taylor’s Version)” | Taylor Swift | 5:21 |
21 | “Ronan (Taylor’s Version)” | Taylor Swift & Maya Thompson | 4:24 |
22 | “Better Man (Taylor’s Version) (From The Vault)” | Taylor Swift | 4:57 |
23 | “Nothing New (Taylor’s Version) (From The Vault)” (featuring Phoebe Bridgers) | Taylor Swift | 4:18 |
24 | “Babe (Taylor’s Version) (From The Vault)” | Taylor Swift & Patrick Monahan | 3:44 |
25 | “Message in a Bottle (Taylor’s Version) (From The Vault)” | Taylor Swift, Max Martin, & Shellback | 3:45 |
26 | “I Bet You Think About Me (Taylor’s Version) (From The Vault)” (featuring Chris Stapleton) | Taylor Swift & Lori McKenna | 4:45 |
27 | “Forever Winter (Taylor’s Version) (From The Vault)” | Taylor Swift & Mark Foster | 4:23 |
28 | “Run (Taylor’s Version) (From The Vault)” (featuring Ed Sheeran) | Taylor Swift & Ed Sheeran | 4:00 |
29 | “The Very First Night (Taylor’s Version) (From The Vault)” | Taylor Swift, Amund Bjørklund, & Espen Lind | 3:20 |
30 | “All Too Well (10 Minute Version) (Taylor’s Version) (From The Vault)” | Taylor Swift & Liz Rose | 10:13 |
Midnights (2022)
October 21, 2022
So after taking some time off from resuscitating her old standards, Taylor Swift released 2022’s Midnights, a moody and introspective concept album that continued the trends set by her two immediately previous studio efforts.”Anti-Hero” showed Swift fans a side of her they’d never seen, while the Queen of Pop seemed vulnerable and human, taking inspiration from moody bedroom pop artists on the rise.
Even though Midnights lacked the same radio-friendliness of her earlier records, it proved to be her best-selling album to date and further proof of her untouchable status, per CNBC. Consequently, Swift carried on the pattern that began with Folklore and Evermore, going for three singles to promote Midnights. That again, admittedly, could have been down to some of her more adult lyrics needing radio edits to become singles.
Theming the record around “sleepless nights,” Swift managed to run the gamut of ideas in the songs from failed relationships to revenge fantasies and self-doubt. Even though she had termed Lover as one of her most vulnerable albums, Midnights was more so. Midnights won Album of the Year as well as Best Pop Vocal Album at the Grammys.
Midnights Tracklist
# | Song Title | Writer(s) | Length | Edition |
1 | “Lavender Haze” | Taylor Swift, Jack Antonoff, Zoë Kravitz, Mark Spears, Jahaan Sweet, & Sam Dew | 3:22 | Standard |
2 | “Maroon” | Taylor Swift & Jack Antonoff | 3:38 | |
3 | “Anti-Hero” | Taylor Swift & Jack Antonoff | 3:20 | |
4 | “Snow on the Beach” (featuring Lana Del Rey) | Taylor Swift, Lana Del Rey, & Jack Antonoff | 4:16 | |
5 | “You’re on Your Own, Kid” | Taylor Swift & Jack Antonoff | 3:14 | |
6 | “Midnight Rain” | Taylor Swift & Jack Antonoff | 2:54 | |
7 | “Question…?” | Taylor Swift & Jack Antonoff | 3:30 | |
8 | “Vigilante Shit” | Taylor Swift | 2:44 | |
9 | “Bejeweled” | Taylor Swift & Jack Antonoff | 3:14 | |
10 | “Labyrinth” | Taylor Swift & Jack Antonoff | 4:07 | |
11 | “Karma” | Taylor Swift, Jack Antonoff, Mark Spears, Jahaan Sweet, & Keanu Torres | 3:24 | |
12 | “Sweet Nothing” | Taylor Swift & William Bowery (Joe Alwyn) | 3:08 | |
13 | “Mastermind” | Taylor Swift & Jack Antonoff | 3:11 | |
14 | “The Great War” | Taylor Swift & Aaron Dessner | 4:00 | 3am |
15 | “Bigger Than the Whole Sky” | Taylor Swift | 3:38 | |
16 | “Paris” | Taylor Swift & Jack Antonoff | 3:16 | |
17 | “High Infidelity” | Taylor Swift & Aaron Dessner | 3:51 | |
18 | “Glitch” | Taylor Swift, Jack Antonoff, Mark Spears, & Sam Dew | 2:28 | |
19 | “Would’ve, Could’ve, Should’ve” | Taylor Swift & Aaron Dessner | 4:20 | |
20 | “Dear Reader” | Taylor Swift & Jack Antonoff | 3:45 | |
21 | “Hits Different” | Taylor Swift, Jack Antonoff, & Aaron Dessner | 3:54 | Til Dawn |
22 | “Snow on the Beach” (featuring More Lana Del Rey) | Taylor Swift, Lana Del Rey, & Jack Antonoff | 3:50 | |
23 | “Karma” (featuring Ice Spice) | Taylor Swift, Jack Antonoff, Isis Gaston (Ice Spice), Ephrem Lopez, Mark Spears, Jahaan Sweet, & Keanu Torres | 3:22 |
Speak Now (Taylor’s Version) (2023)
July 07, 2013
Delving even further into her musical past, Taylor Swift returned to her re-recording streak with the release of Speak Now (Taylor’s Version) in 2023. Exercising even more musical control, Swift not only brought back all the old tunes but added new musical influences that incorporated other sounds not previously heard in the original record. The over 100-minute record was a feast for the average Swiftie, and mightily improved on the recording standards practiced in 2010.
Though Swift didn’t push any singles for this rerecording, some notable changes got fans and critics interested in the song. Notably, Swift changed some of the lyrics to “Better Than Revenge,” a song about another woman stealing her boyfriend. The original song implied that sex was used to lure her boyfriend away, but the new lyrics altered that idea in the song.
Critics and fans alike were divided on whether the change was needed, but it’s certainly more reflective of Swift’s not wanting to tear other women down while venting her feelings in her music today. The album marked Taylor Swift’s twelfth one to chart on the Billboard 200, making her tied with Barbara Streisand for the most albums by a female artist to hit number one. She would eventually break her record on that one. Every song from the album also hit the Billboard Hot 100.
Speak Now (Taylor’s Version) Tracklist
# | Song Title | Writer | Length |
1 | “Mine (Taylor’s Version)” | Taylor Swift | 3:51 |
2 | “Sparks Fly (Taylor’s Version)” | Taylor Swift | 4:21 |
3 | “Back to December (Taylor’s Version)” | Taylor Swift | 4:54 |
4 | “Speak Now (Taylor’s Version)” | Taylor Swift | 4:02 |
5 | “Dear John (Taylor’s Version)” | Taylor Swift | 6:45 |
6 | “Mean (Taylor’s Version)” | Taylor Swift | 3:58 |
7 | “The Story of Us (Taylor’s Version)” | Taylor Swift | 4:27 |
8 | “Never Grow Up (Taylor’s Version)” | Taylor Swift | 4:52 |
9 | “Enchanted (Taylor’s Version)” | Taylor Swift | 5:53 |
10 | “Better than Revenge (Taylor’s Version)” | Taylor Swift | 3:40 |
11 | “Innocent (Taylor’s Version)” | Taylor Swift | 5:01 |
12 | “Haunted (Taylor’s Version)” | Taylor Swift | 4:05 |
13 | “Last Kiss (Taylor’s Version)” | Taylor Swift | 6:09 |
14 | “Long Live (Taylor’s Version)” | Taylor Swift | 5:17 |
15 | “Ours (Taylor’s Version)” | Taylor Swift | 3:55 |
16 | “Superman (Taylor’s Version)” | Taylor Swift | 4:34 |
17 | “Electric Touch (Taylor’s Version) (From The Vault)” (featuring Fall Out Boy) | Taylor Swift | 4:26 |
18 | “When Emma Falls in Love (Taylor’s Version) (From The Vault)” | Taylor Swift | 4:12 |
19 | “I Can See You (Taylor’s Version) (From The Vault)” | Taylor Swift | 4:33 |
20 | “Castles Crumbling (Taylor’s Version) (From The Vault)” (featuring Hayley Williams) | Taylor Swift | 5:06 |
21 | “Foolish One (Taylor’s Version) (From The Vault)” | Taylor Swift | 5:11 |
22 | “Timeless (Taylor’s Version) (From The Vault)” | Taylor Swift | 5:21 |
1989 (Taylor’s Version) (2023)
October 27, 2023
In her record-breaking period, first and foremost, visit, Taylor Quick declared that her next Taylor’s Variant record would have been her pop-arranged work of art, 1989. Therefore, this declaration was enthusiastically expected by fans. The album was released in October 2023 and was even bigger and grander than previous Taylor’s Version releases. While the album features the original 16 songs rerecorded for the new version, it also features six more songs “from the vault,” including a version of “Bad Blood” with Kendrick Lamar.
The album’s launch featured one of Swift’s most creative promotions. Since she had become known among her fans for featuring messages in her album booklets, Easter eggs in her music videos, and sharing cryptic hints online about her songs, Swift partnered with Google Search to create word puzzles for fans to solve to figure out the titles of her vault tracks for the record. The idea was that once 33 million world puzzles were solved, all of the track titles would be revealed. That happened in less than 24 hours.
Impressively, it became Swift’s 13th album to hit the Billboard 200, and seven of the songs hit the Billboard Hot 100, including vault tracks “Is It Over Now?,” “Now That We Don’t Talk,” and “Slut!,” which all claimed the top spots. When Apple released their list of the best 100 albums, 1989 (Taylor’s Version) landed in the 18th spot.
1989 (Taylor’s Version) Tracklist
# | Song Title | Writer(s) | Length |
1 | “Welcome to New York (Taylor’s Version)” | Taylor Swift & Ryan Tedder | 3:32 |
2 | “Blank Space (Taylor’s Version)” | Taylor Swift, Max Martin, & Shellback | 3:51 |
3 | “Style (Taylor’s Version)” | Taylor Swift, Max Martin, Shellback, & Ali Payami | 3:51 |
4 | “Out of the Woods (Taylor’s Version)” | Taylor Swift & Jack Antonoff | 3:55 |
5 | “All You Had to Do Was Stay (Taylor’s Version)” | Taylor Swift & Max Martin | 3:13 |
6 | “Shake It Off (Taylor’s Version)” | Taylor Swift, Max Martin, & Shellback | 3:39 |
7 | “I Wish You Would (Taylor’s Version)” | Taylor Swift & Jack Antonoff | 3:27 |
8 | “Bad Blood (Taylor’s Version)” | Taylor Swift, Max Martin, & Shellback | 3:31 |
9 | “Wildest Dreams (Taylor’s Version)” | Taylor Swift, Max Martin, & Shellback | 3:40 |
10 | “How You Get the Girl (Taylor’s Version)” | Taylor Swift, Max Martin, & Shellback | 4:07 |
11 | “This Love (Taylor’s Version)” | Taylor Swift | 4:10 |
12 | “I Know Places (Taylor’s Version)” | Taylor Swift & Ryan Tedder | 3:15 |
13 | “Clean (Taylor’s Version)” | Taylor Swift & Imogen Heap | 4:31 |
14 | “Wonderland (Taylor’s Version)” | Taylor Swift, Max Martin, & Shellback | 4:05 |
15 | “You Are in Love (Taylor’s Version)” | Taylor Swift & Jack Antonoff | 4:27 |
16 | “New Romantics (Taylor’s Version)” | Taylor Swift, Max Martin, & Shellback | 3:50 |
17 | “‘Slut!’ (Taylor’s Version) (From The Vault)” | Taylor Swift, Jack Antonoff, & Patrik Berger | 3:00 |
18 | “Say Don’t Go (Taylor’s Version) (From The Vault)” | Taylor Swift & Diane Warren | 4:39 |
19 | “Now That We Don’t Talk (Taylor’s Version) (From The Vault)” | Taylor Swift & Jack Antonoff | 2:26 |
20 | “Suburban Legends (Taylor’s Version) (From The Vault)” | Taylor Swift & Jack Antonoff | 2:51 |
21 | “Is It Over Now? (Taylor’s Version) (From The Vault)” | Taylor Swift & Jack Antonoff | 3:49 |
22 | “Bad Blood (Taylor’s Version) (From The Vault)” (featuring Kendrick Lamar) | Taylor Swift, Max Martin, Shellback, & Kendrick Lamar | 3:20 |
The Tortured Poets Department (2024)
April 19, 2024
Taylor Swift first announced the eleventh studio album, The Tortured Poets Department, while giving her acceptance speech for the Best Pop Vocal Album category for Midnights at the 2024 Grammy Awards on February 4. The highly anticipated album came out two months later, on April 19, with features from Post Malone and Florence + The Machine. TTPD also saw the return of Swift’s frequent producing collaborators, Jack Antonoff and Aaron Dessner.
Swift broke many of her records with the release of The Tortured Poet’s Department.
In a move that shocked the world, Swift announced post-release that TTPD was a surprise double album before dropping the remaining 15 of 31 songs on The Tortured Poets Department: The Anthology. First and foremost, the release of The Tortured Poet’s Department broke many records of Swift. It therefore became her 14th number-one album. Additionally, it spent 12 weeks in a row at number one.
It also earned the highest single-day and single-week global streams on Spotify for its debut. TTPD was also Swift’s seventh album to have more than a million sales in its first week and fourteen of the tracks from the album occupied the top 14 spots on the Billboard Hot 100. It was a massive release for Swift, and though she was in the middle of her Eras Tour when the album was released, she revamped the setlist of the concert to include songs from TTPD during a break from the tour.
The Tortured Poets Department Tracklist
# | Song Title | Writer(s) | Length | Edition |
1 | “Fortnight” (featuring Post Malone) | Taylor Swift, Jack Antonoff, & Austin Post | 3:48 | Standard |
2 | “The Tortured Poets Department” | Taylor Swift & Jack Antonoff | 4:53 | |
3 | “My Boy Only Breaks His Favorite Toys” | Taylor Swift | 3:23 | |
4 | “Down Bad” | Taylor Swift & Jack Antonoff | 4:21 | |
5 | “So Long, London” | Taylor Swift & Aaron Dessner | 4:22 | |
6 | “But Daddy I Love Him” | Taylor Swift & Aaron Dessner | 5:40 | |
7 | “Fresh Out the Slammer” | Taylor Swift & Jack Antonoff | 3:30 | |
8 | “Florida!!!” (featuring Florence and the Machine) | Taylor Swift & Florence Welch | 3:35 | |
9 | “Guilty as Sin?” | Taylor Swift & Jack Antonoff | 4:14 | |
10 | “Who’s Afraid of Little Old Me?” | Taylor Swift | 5:34 | |
11 | “I Can Fix Him (No Really I Can)” | Taylor Swift & Jack Antonoff | 2:36 | |
12 | “loml” | Taylor Swift & Aaron Dessner | 4:37 | |
13 | “I Can Do It With a Broken Heart” | Taylor Swift & Jack Antonoff | 3:38 | |
14 | “The Smallest Man Who Ever Lived” | Taylor Swift & Aaron Dessner | 4:05 | |
15 | “The Alchemy” | Taylor Swift & Jack Antonoff | 3:16 | |
16 | “Clara Bow” | Taylor Swift & Aaron Dessner | 3:36 | |
17 | “The Black Dog” | Taylor Swift | 3:58 | The Anthology |
18 | “imgonnagetyouback” | Taylor Swift & Jack Antonoff | 3:42 | |
19 | “The Albatross” | Taylor Swift & Aaron Dessner | 3:03 | |
20 | “Chloe or Sam or Sophia or Marcus” | Taylor Swift & Aaron Dessner | 3:33 | |
21 | “How Did It End?” | Taylor Swift & Aaron Dessner | 3:58 | |
22 | “So High School” | Taylor Swift & Aaron Dessner | 3:48 | |
23 | “I Hate It Here” | Taylor Swift & Aaron Dessner | 4:03 | |
24 | “thanK you aIMee” | Taylor Swift & Aaron Dessner | 4:23 | |
25 | “I Look in People’s Windows” | Taylor Swift, Jack Antonoff, & Patrik Berger | 2:11 | |
26 | “The Prophecy” | Taylor Swift & Aaron Dessner | 4:09 | |
27 | “Cassandra” | Taylor Swift & Aaron Dessner | 4:00 | |
28 | “Peter” | Taylor Swift | 4:43 | |
29 | “The Bolter” | Taylor Swift & Aaron Dessner | 3:58 | |
30 | “Robin” | Taylor Swift & Aaron Dessner | 4:00 | |
32 | “The Manuscript” | Taylor Swift | 3:44 |
The Tortured Poets Department is Swift’s first album with more than two words in the title (excluding Speak Now (Taylor’s Version).
Every Taylor Swift Album With A Taylor’s Version (So Far)
- Fearless (Swift, ‘s Version) (2021)
- Red (Taylor’s Swift Version) (2021)
- Speak Now (Taylor’s Version) (2023)
- 1989 (Taylor’s Version) (2023)
Along with her much anticipated Taylor’s Version records, Taylor Swift maintains the rights to all of her studio albums recorded since she jumped from Big Machine to Universal. Therefore, Lover, Folklore, Evermore, Midnights, and The Tortured Poets Department were all made with Swift being fully in control of the rights and production, and her Taylor’s Version albums are quickly reclaiming the past as well. Considering how quickly she has turned out her re-releases, it can be assumed that Swifties won’t have to wait long until one of her other classic albums gets a modern redo.
The only albums left that still need to get a Taylor’s Version are Swift’s debut album and Reputation. Fans have long theorized that Swift’s debut album would be the final Taylor’s Version to be released. Leaving these two albums for last has indicated that Swift will reclaim her reputation and her name in the same way she has all of her music. The albums will likely get their Taylor’s Versions after Taylor Swift finishes her Eras Tour in late 2024.
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